. 'What We Do' Released: September 4, 2002. 'Flipside' Released: February 25, 2003. 'Alright' Released: June 3, 2003 Professional ratings Review scores Source Rating RapReviews (7/10) Philadelphia Freeway is the debut album from. It was released under and. The most successful single was 'Flipside', which featured.The single debuted at #95 on The Billboard Hot 100 music chart.
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It can also be found in the soundtrack to. The lead single that was released was 'What We Do', which featured &. The single debuted at #97 on The Billboard 100 music charts. Most of the songs were produced by while some were produced by &.
Contents. Critical reception The album received positive reviews and on the album gathered a score of 74 out of 100 based on 7 reviews. Commercial performance The album sold over 500,000 copies, in the United States. Track listing No. Title Producer Length 1. 'Free' 3:25 2.
'What We Do.' (featuring & ) Just Blaze 3:49 3. 'All My Life' (featuring ) 5:31 4. 'Flipside' (featuring ) Just Blaze 3:57 5. 'On My Own' (featuring ) Just Blaze 4:09 6. 'We Get Around' (featuring ) Just Blaze 3:56 7.
Msi package builder starter 4.4.5. 'Don't Cross the Line' (featuring ) Just Blaze 4:03 8. 'Life' (featuring ) Ruggedness 4:32 9. 'Full Effect' (featuring ) Just Blaze 4:50 10. 'Turn Out the Lights (Freewest)' Kanye West 3:59 11. 'Victim of the Ghetto' (featuring Rell) Bink!
'You Don't Know (In the Ghetto)' (featuring ) Black Key 4:13 13. 'Alright' (featuring Allen Anthony) Just Blaze 5:26 14. 'Hear the Song' Kanye West 3:36 15. 'You Got Me' (Bonus track, featuring & ) Just Blaze 4:15 16. 'Line 'Em Up' (Bonus track, featuring ) Just Blaze 4:48 Samples Free.
'Freeway Song' by What We Do. 'I Just Can't See Myself Without You' by All My Life.
'(Man, Oh Man) I Want to Go Back' by Don't Cross The Line. 'To Get Love You Must Give Love' by On My Own. 'Just Enough Room for Storage' by Life.
'Life For The Taking' by Victim Of The Ghetto. 'We Belong Together' by You Don't Know (In The Ghetto). 'Inside My Love' by Alright.
'Mystic Brew' by Hear The Song. 'Will You Cry(When You Hear This Song)' by Turn Out the Lights (Freewest). 'You Just Don't Care' by Charts.
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Free Just Blaze comes in to craft a soulful landscape for Freeway to rap smoothly over, which should comes as no surprise to those who know Freeway already, as he thrives over soul samples. What We Do (Featuring Jay-Z and Beanie Sigel) The best Roc-A-Fella posse cut ever. Just Blaze creates a monster of a beat that threatens to consume any rapper willing to rap over it but luckily our local heroes are brave enough to rock over it. 3. All My Life (Featuring Nate Dogg) Bink! Produces a dull beat for Freeway and Nate although the two try their best to make this interesting. Flipside (Featuring Peedi Crack) The rapping on here is actually pretty terrible because Freeway isn't really rhyming, but more of using a rapping-cadence so it is really more of a hype song, and on that area it succeeds tremendously with Freeway's delivery being as entertaining as always while Peedi acts like a good crony; all over a banger of a Just Blaze beat.
5. On My Own (Featuring Nelly) Just Blaze fucks up bad with this beat. Even a screeching Freeway couldn't redeem this song. 6. We Get Around (Featuring Snoop Dogg) Terrible. This is what all crap mainstream rap (notice how I said crap before the mainstream as there is in fact, good mainstream rap) sounded like around the early 2000s, which is to either imitate Fiddy, Jay, or Nelly. Snoop just phones in his verse like it was a charity to Beardy (Freeway) or something. Don't Cross the Line (Featuring Faith Evans) Freeway spits with all his heart on this song but the hook and the beat somewhat fail to make this song any level above forgettable.
8. Life (Feat Beanie Sigel) One of the better rap-rock fusions and one of the better songs on the album overall. Well, that was unexpected. The hook is trash though and I can understand if you hate this song off the fact that it is a rap-rock fusion alone. Full Effect (Featuring Young Gunz) Poor Freeway, always let down by someone that is usually reliable (Just Blaze). 10. Turn Out the Lights (Freewest) This Kanye and Freeway collaboration feels very. Artificial, plastic, etc. It doesn't help that the hook is awful.
Just pass on this song. You're welcome. 11. Victim of the Ghetto (Featuring Rell) What's Rell doing here? Well whatever, this song is boring to me anyway.
However, I can see some people liking this song. Now what's that supposed to mean? Chopin nocturne in c sharp minor violin pdf. 12. You Don't Know (In the Ghetto) (Featuring Omillio Sparks) Huh? I actually liked this song. The Black Key beat is calm but the crooning throughout helps keep the energy levels high enough for the listener to hone in on Freeway instead of snoring.
13. Alright (Featuring Allen Anthony) I wonder how the hell this became a single? It does not sound commercial at all with Allen Anthony's voice sounding otherworldly in what most people would call a creepy way, but I find it somewhat entrancing. The beat has that 50 Cent influence that was prominent in this era of rap in the drum kit, but the rest of the beat reminds me more of something from A Tribe Called Quest's Beats, Rhymes, and Life. Freeway bodies this song like he usually does so no problem in that department either.
14. Hear the Song Kanye West produces one of the best beats on the album with its heavy The College Dropout vibe and Freeway doesn't waste the opportunity with an entertaining rant on all the people who screwed him over in the past although it took me a couple listens to get that from the song because Freeway isn't exactly the clearest with his messages. 15. You Got Me (Bonus track, Featuring Mariah Carey & Jay-Z) This is a decent albeit forgettable song that features Jay and Mariah Carey over a sleepy Just Blaze beat along with Freeway trying to keep the album together. 16. Line 'Em Up (Bonus track, Featuring Young Chris) This is like a bad Meek Mill song where Freeway is Meek Mill (yelling) and Young Chris is Young Thug or a creature similar to the Pikachu. Final Thoughts: Freeway's debut album is heavily anchored from becoming a great album because of his refusal to get beats from someone other than Just Blaze, which might be his loyalty, but I think it is more because of having a big name will get more sales, which is sad because this album had flashes of brilliance that might have become an album of brilliance if Freeway was able to get maybe some Neptunes beats. I don't know, I just feel disappointed listening to this album because of the potential being watered down by Just Blaze beats that don't sound as consistent as you would think.
Buy or Burn: Burn the bangers below. Best Tracks: 'Hear The Song', 'Alright', 'You Don't Know (In The Ghetto)', 'Flipside', 'What We Do', 'Free', 'Life'.
Freeways The Game
Label: Roc-A-Fella, Def Jam Freeway's grossly underrated debut album has only gotten better with age. Like much of the music released in the Roc-A-Fella era, Philadelphia Freewaywas a coalescence of gritty street tales and glimpses of the flashy lifestyle. The album boasted features from Jay-Z, Mariah Carey, and Snoop Dogg among others, and was majority produced by Roc-A-Fella hitmaker Just Blaze.
The break-up of the Roc would ensue only a short time later, but Philadelphia Freeway captured the time in a way that we'll never forget.
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